Ebook Free The Feature Film Distribution Deal: A Critical Analysis of the Single Most Important Film Industry Agreement
Ebook Free The Feature Film Distribution Deal: A Critical Analysis of the Single Most Important Film Industry Agreement
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The Feature Film Distribution Deal: A Critical Analysis of the Single Most Important Film Industry Agreement
Ebook Free The Feature Film Distribution Deal: A Critical Analysis of the Single Most Important Film Industry Agreement
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Review
"It is the primary contention of this book... that the pervasive market power of the major studio distributors in the United States (the MPAA companies, generally) has been gained and is maintained by engaging in numerous questionable, unethical, unfair, unconscionable, anticompetitive, predatory and/or illegal business practices.... Such practices are often referred to as ‘creative accounting’ or ‘creative contract interpretation.’"―John W. Cones, from the Introduction
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From the Back Cover
John W. Cones, whose real goal is to stimulate a long-term film industry reform movement, shows how the financial control of the film industry in the hands of the major studios and distributors actually translates into creative control of the industry.
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Product details
Paperback: 320 pages
Publisher: Southern Illinois University Press; 1st edition (December 30, 1996)
Language: English
ISBN-10: 0809320827
ISBN-13: 978-0809320820
Product Dimensions:
6 x 1 x 9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#903,765 in Books (See Top 100 in Books)
If you are serious about making films and other creative content, this is one aythor you should get to know--well.
Though a little dated (not much has changed in the film industry), The Feature Film Distribution Deal is a must-read for every producer and every newly minted entertainment lawyer.The author, a practising entertainment lawyer) covers typical/standard/boilerplate film industry deal contracts as issued by the big studios/distributors, and explains practically every line/item in them, and the definitions of the many contract terms.BTW, ALL the terms of these contracts are rigged to screw independent producers out of net profit participaiton profits.Then the author offers 'counter' negotiating points and the reasoning/arguments behind them.He does state that success in using these counterproposals/arguments is limited due to the 'balance of power' between big studios and independent producers is tilted heavily in favour of the big studios.The appendices are four distribution deal contracts. They're well worth the read, too, if only to familiarise oneself with them.It is NOT a book to read quickly, but one to be read thoughtfully, to absorb and to learn the legal and business concepts in the contracts. The structure of each chapter makes this easy to do.
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